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Who Owns Auschwitz?
We had a discussion in my High school literary class. How do the people behave in the funeral cortege? People next to the coffin are sad, in tears, with slow movements, sobbing, and usually family members. Then follows people who are silent and watching in front of them, then people watching a bit around, then some people who talk a little, and people that have some conversation and at the end there are people who even tell jokes and laugh.
When we had this class I was young, and I found this discussion strange. But as I am older and I have experienced sorrow and life strokes to its fullest, I see it with different eyes. That story is true.
In Kertész’s essay “Who Owns Auschwitz?”, I found great observations regarding kitsch. In Young’s explanation about choosing the memorial design I found something strange that annoys me. How come that the same people choose the most important memorabilia monuments on the Earth? Because, my emotions are not the same as anybody else’s. Choosing the best fit monument, to me looks like job survey. The great example, is the “disappearing monument” in Kassel. Graffiti with Jewish stars, Nazi’s swastika, various drawings that appeared on the surface of this monument – that finally disappeared, wanted to represent memory that is stick into our souls and hearts for ever. But what about future generations, people born after 1993. There is no monument, no sign, just maybe some photo of couple in love.
What about the young couple making love before being gassed – fully aware of their destiny. No chance to make children, to tell their story, to make love just another time.
Kertész’s essay covers his observation about two movies “Schindler’s List” and “Life is beautiful”. I saw both of them. I like his conclusion about Benini that, “He has and has the courage (and also the strength) to lay his claim to this sad inheritance.” That is very true. We all have to know. There is no happy ending of Holocaust story. There are numerous stories about this. No need to repeat those.
I can only lay out my impression. It is a life time burden for person who survived; it took Nechama 30 years of waiting and growing up the idea to tell her story. All the stories that came from people who had the courage to face their personal horrible Holocaust history, they came straight from their heart. And we have to listen and remember. Understanding is inapprehensible to the evil to its fullest. It really happened. It is impossible to describe the stench in the air, or rape with a stick, naked in front of everybody, when something pushes you to watch and to float into some safe haven of your own, not knowing your own destiny, waiting for the mercy of some PERSON in charge of the lives, who treats people as no-people. It is insulting to sugar coat it.
We have various forms to pass it on – art in all its forms and retelling the stories.
So the big question “Who Owns Auschwitz?”. We all do. It is our duty to pass the story, to remember and never to happen again. Not to allow them end in the air as the Jewish grave.
Resistance in Holocaust
Resistance as described in dictionary is:
- – the act or an instance of resisting or the capacity to resist.
- – a force that tends to oppose or retard motion.
- – often Resistance is an underground organization engaged in a struggle for national liberation in a country under military or totalitarian occupation
- – etc.
I fully agree with Rita Steinhardt Botwinick’s debate about the resistance in “A History of the Holocaust – From Ideology To Annihilation” Ch 10 para 2:
“In the context of Jewish Opposition to the Nazis, the term resistance requires some definition. Does the word refer only to organized combat, such as military action or does it include individual assaults against the Germans? Is the use of weapons required or is nonviolent opposition rightfully classified as resistance? Is it appropriate, as has been suggested, that survival itself was a form of resistance, because the Nazis sought the death of EVERY Jew? Surely, the Jewish men and women who fought as members of partisan organizations were resisters. How should one characterize the workers in ghettos and in slave labor camps who sabotaged the economic enterprises of the Nazis by producing flawed goods? What of the Jewish writers who risked their lives to publish forbidden newspapers and teachers who secretly defied the Gestapo when they secretly instructed their students? The illegal smuggling of food delayed the total collapse of ghetto life and was frequently carried out by children. Did they not offer resistance? The historian Emanuel Ringelblum and others collected and preserved information on the fate of ghetto Jews in defiance of orders. Art and music, as well as poetry, expressed opposition to the Nazis in the ghettos and camps. Clearly, resistance had many forms, and it is necessary to establish its definition as used in this text.”
So in that context there were various forms of resistance and examples for each case:
- Ghettoes and underground fighters – Leaving the ghetto for the woods / Joseph Harmatz
- Resistance in camps – rebellion in an extermination camps Treblinka, Auschwitz and others, marvelous story about Rudolf Vrba and his escape from Auschwitz
- Border crossing – Jumping from the Train on the Way from Belgium to Auschwitz in Belgium in April 26, 1943. in midnight.
- Fighting in the forests and from the forests was the spearhead of the Jewish resistance against the Nazi murderers. – Disbanding the Partisan Units at the end of the Fighting in the Forests / Reuven Leonid.
- Hiding – Growing up in Hiding / Anne Frank
- Spiritual resistance – The Song of the Murdered Jewish People, Poland
- False identity – Lena Kichler-Zilberman, Poland
- After the Holocaust – Ka-Tzetnik: He survived Auschwitz in order to tell the world
Resistance in camps
Story about Rudolf Vrba, an inmate in Auschwitz, was very interesting. He was interviewed in Shoah, and I noticed that his storytelling was sort of detached. I think that he learned that attitude, because he spent exceedingly long time in the camp. It was from June 1942 till his escape April 1944. He calculated 1,750,000 Jews were killed in Auschwitz during his stay, and that number was often disputed. He survived thanks to his youth and physical stamina, assigned jobs in Auschwitz gave him opportunity to access extra supplies and food. After information from Kapo that 1 million Jews from Hungary will come to the camp, he escaped with Alfréd Wetzler, whom he knew from Trnava. That information was crucial. He understood that he has to escape and try to inform alive Jewish government in exile about real nature of Auschwitz camp.
Obviously, this subject of resistance is very wide.
I would like to conclude with this last one – after the Holocaust
Survivors of the Holocaust, their successors, we, and all the future generations should be part of resistance to Holocaust.
The purpose of telling the stories, retelling them and keeping those in memory, learning about these events, trying to understand – because perpetrators were humans like each of us, is also a form of resistance. Because, man doesn’t have two hearts. We do not have one heart – one for love and another for hatred. Trying to depict resistance and all these events regarding Holocaust can help us to explain mechanisms that led to it. My mission would be to try to explain to all those who don’t know.
My recent paintings
“They stepped out together on a red carpet last night for the first time in over a year, to promote his new movie. The last time this happened was last year when the couple attended the Australians In Film Awards …”
The art of acting
According to Yehuda Bauer, in Holocaust we can find elements that can not be found anywhere else, that are totally unprecedented. Victims were all Jews, people who had one or more than one grandparent. Wherever they could, Nazis identified and defined Jews: who is Jew, who is quarter Jew, half Jew. Then, Jews were defined, marked, dispossessed, humiliated, concentrated, transported and killed.
Every single person Nazis could reach. Everywhere in the world.
“Nazis had shiny boots and they were looking through us”, said Nechama Tec.
She also said she had never seen that kind of behavior before.
Another Holocaust survivor, Paula Lebovics, in her testimony said, “Even today I can hear those boots, and it chills me to the bones.”
Besides that, Nazis wore neat, ironed suits. It was part of their presentation. They wanted to seed a fear.
In the Auschwitz camp there weren’t so many German guards. Everything was organized, so as they needed more men or women, they used Jews or other prisoners.
And they did their best to seed a fear. They used sticks, guns and sound of their boots was one of their weapons.
Daily killings were part of the ritual to seed a fear.
Another Nazi weapon — there were signs. Signs were everywhere.
On the entrance there was slogan “Arbeit Macht Frei” that means “labour makes (you) free”.
Even people who were arriving, were deceived. They thought that they are coming to work.
Germans acted as if they are not performing such atrocity. Nobody believed that it was happening. Not citizens of Europe or people in America.
Why?
It was important that nobody finds out. If it gets revealed, they won’t have such a success rate or no success at all.
So, it was secret for several years. There were rumors, but nobody actually knew. They succeeded in their deceit.
5.7 million people were killed, gassed, shot.
On the other hand, people like Nechama Tec, had a slight chance – it was to act, act like they are somebody else. Pretending she is a Polish girl was her salvation.
Or like grandfather in the movie “Everything is Illuminated”, who acted as if he’s anti-Semite, whilst in reality he was a Jew. He had his reasons. Around himself he had made impenetrable shell. He even fooled himself. It was his life time burden. He felt guilt – he was alive but he did not deserve to live – it was his opinion (as Jew). So, he passed in his reality to anti-Semite. Until revelation and recognition that he has no guilt. His only guilt was that he is a Jew.
Or like Paula, who said, “I made myself invisible”. She floated in her mind somewhere else and although she witnessed horrid, unbelievable events, she learnt to become invisible. Encounters with death were frequent. The only thing victims could rely on was hope.
And that was ephemeral.
Those who did not lose their faith and hope had no chance at all.
Jelly bean
šeširić
I had to try this out.
Done with fingers according to the online tut of Igor Saharov
Korea
I decided to make an oil painting, because it was easier way for me to convey my message.
I wanted it to look joyful, because I have met a lot of Korean artists whose work looks happy and pleasant to eye.
Idea I had: Venus figurine represents mother Earth, her left boob is North Korea, and right South Korea.
North Korea has 6 known prison camps where children were born and grown (if they are lucky) in captivity.
Shin Dong-hyuk is one that escaped and there is book published “Escape from Camp 14”, about his escape.
Right boob is hamburger he ate when he arrived in America.
There is a wheel in the background of the figurine symbolizing traveling of this young man, who cannot find peace of his mind, although he escaped from the camp.
So grottage on the wheel represents — lack of freedom although he is not in the camp any more.